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Orpheus and Eurydice: an hour of wedded bliss
A particularly pessimistic poet once proposed that every person has his or her perfect partner.  Called a "soul mate" by the sweetly sentimental, or "the love of your life," by  those who don't believe in do-overs, this embodiment of all things exquisite,  melodious, and captivating is everywhere in mythological circles. Mythology  also abounds, quite naturally, in those who lament the loss of these loves.  You know, the sorry sort who waste the rest of their lives languishing in a state of excruciating torment.  One can't swing a sacrificial fish in the ancient realm without  scraping at least half a dozen faces of these forlorn lovers.
Well, that is the point, isn't it?  One falls desperately in love with that space-time transfiguring specimen  of earthly loveliness and then the latter flits away to some twilight-tinctured  horizon. Because of this precipitous departure, the love remains lovely, fresh and  ever-present. The abandoned admirer then enjoys hours of melancholy pleasure strumming on strings, composing verse, or staring morosely at the vibrant foliage  under overcast skies. Mythogophers certainly understood that love's most beautiful element was often absence and tragedy. Hence, the divinely beautiful and, of course, tragic tale of Orpheus.  
Orpheus was the gifted son of King Oeagrus and the muse Calliope. Even as a child, he developed  unrivaled musical skills. Apollo presented him with a lyre, on which Orpheus produced tones  so beautiful that its sounds were said to have enchanted every human and animal within listening  range. Some poets claimed that Orpheus' music could animate trees, shift hedges and levitated rocks.  It is safe to say that Orpheus was loved by everybody, save, perhaps, professional landscapers.    Along with bouncing rocks and sprinting trees, Orpheus was followed by a mesmerized procession of adoring females.  Their ardent love was, alas, unrequited.   Orpheus only wanted Eurydice, a lovely dryad who loved him with equal intensity.  They wed soon after he returned from his adventures with the argonauts (a topic for another day.)   During the ceremony, Orpheus did not say a single world, opting instead to express his devotion musically. All the attendees and even the gods who observed the wedding were reduced to tears. Never before or after had such joyous music been performed on Earth. Orpheus and Eurydice were a deliriously happy married couple...for one hour. Their wedded bliss ended just after the ceremony when Eurydice was stung by a serpent that had been concealed within the meadow where their wedding had been performed.  She died instantly. Orpheus quickly found her body and was devastated by the deepest grief from which anyone has ever suffered.  Inconsolable, Orpheus vowed to devote his life to composing melodies in Eurydice's honor. Those unfortunate enough to listen to this music literally felt Orpheus' heart wrenching torment.  Having noticed how profoundly people were being affected by his melodies, Orpheus devised a mad scheme: He resolved to venture into the underworld to retrieve Eurydice. Nobody had ever thought of such a rescue before, let alone attempted it. Yet, Orpheus was both determined to liberate his wife and confident that, aided by his beguiling music, he could persuade Hades to relinquish her.  Traveling to the underworld after you die is easy, considering that you are conveyed there at once after your material death.  A mortal who goes to the underworld has to follow a secret passageway in Aornum. Orpheus used this route and after a few harrowing encounters,  soon encountered Cerberus, the three-headed hell-hound who guarded the underworld entrance. Usually, anybody confronted by the ghastly Cereberus would beat a hasty retreat in the opposite direction. Undaunted by the dog's ferocity, Orpheus drew near him while strumming the lyre and singing.   Cerberus was quickly soothed and soon after fell asleep.  On entering the underworld, Orpheus quickly enchanted the dead shades as he had the living mortals.   Every phantom stood enraptured as he passed.  Even Tantalus momentarily stopped reaching desperately for food while Sisyphus suspended his rock moving labors.  The three judges of the dead, usually an austere lot, sobbed helplessly and permitted Orpheus to proceed to Hades' lair. When he stood before the god of the underworld, he begged him to release Eurydice's shade to his care. Orpheus acknowledged that all souls ultimately belonged to Hades in the end, but Eurydice died far too young and deserved to live again. It was said that Hades wept tears of iron and assented to Orpheus' request. He called Eurydice forth and gave her permission to follow Orpheus back to the living world. He did, however, impose one condition. Orpheus was to leave at once and not look back to ensure that Eurydice was following him until he had reached his home in Thrace. Orpheus agreed to this condition and immediately left. He had almost reached home when, as you already know, he yielded to temptation and turned around, hoping to see Eurydice behind him. Indeed, he did see Eurydice for a moment before she vanished forever. Orpheus had broken the pact and lost her forever. He was barred from entering the underworld ever again. (It was said that Hades inserted wax into Cerberus' ears to prevent him from hearing Orpheus' music.) Orpheus grew even more despondent than he had been originally.  His grief was double itself for he knew that it was his own caprice that sent her back to the underworld for the second and last time.  His legion of female admirers sought this opportunity to woo him knowing that he could never again be with Eurydice.  He was having none of it and angrily repelled their repeated attempts to seduce him. Finally driven to madness by Orpheus' continued rejections, his suitors conspired to kill him.  At first, he protected himself effectively with his music. As soon as the enraged women heard the enchanting sounds, they abandoned the assault and wept.   Eventually, however, the women clogged their ears with wax and launched another attack. Unable to hear Orpheus' music, they managed to wrest the lyre from his grasp.  They then proceeded to literally rip Orpheus into pieces which they cast into a river.     Orpheus' head continued singing as it floated to the island of Lesbos.  Once there,the head began speaking prophetically.   Apollo, fearing that Orpheus' posthumous oracles would cause people to abandon his own temple at Delphi, conveyed the head to Olympus where nobody by the gods could hear it .  While Orpheus' head was heaven bound, his shade descended into the underworld where it was reunited with the shade of Eurydice. They were said to have loved each other with an unbounded passion of which ghosts were thought incapable.  The lyre, itself, was hoisted up into the night sky and became the summer constellation Lyra.  


THE SOUTHWORTH PLANETARIUM
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THE DAILY ASTRONOMER
Thursday, May 21, 2020
Remote Planetarium 39:   The Closest Stars

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We now begin our journey through the Universe outside the solar system.  Above us we see the names and positions of the stars closest to the Sun.   Although in this graphic they seem quite close to each other, vast distances separate the Sun and the nearest stars.  The closest star system, Alpha Centauri, is 4.2 light years away: equal to nearly 25 trillion miles.  To give one an appreciation of this distance, let's try a demonstration.    Read the following line.

                                                  Oh, snap!

Well done!   Now, during the time you needed to read that sentence, an immense number of photons escaped the three stars comprising the Alpha Centauri system.    By the time you finish reading this sentence, those photons will have already traveled more than a million miles from these stars.  Every second of everyday, those photons will move at 186,290 miles per second through space.     A small amount of those photons will reach Earth around August 1, 2024!    Every so often during the next four years, think about these photons en route to our solar system.   Although they're moving at the highest attainable velocity, they need so much time to reach us.  And that is from the nearest star!

Although the focus of today's article will be on the means by which astronomers determined this distance and those of the surrounding stars, we wanted to explain some of the strange names assigned to some of these stars.

  • Alpha Centauri; Epsilon Eridani:  a few weeks ago we introduced the Bayer Nomenclature system.  This system assigned Greek letters to stars within each constellation.  By this scheme, the brightest star was called "alpha," the second brightest "beta," the third "gamma," and so on through to the last letter "omega."   The star's name begins with the Greek letter and ends with the Latin genitive (possessive) form of the host constellation name.   Hence, Alpha Centauri is the brightest star belonging to the constellation Centaurus.   Epsilon Eridani (which is also now called Ran after the Egyptian sea goddess), is one of the dimmer stars within the constellation Eridanus.   (Also   Tau Ceti in the constellation Cetus and Epsilon Indi in the constellation Indus.)
  • Ross 148; Ross 154; Ross 248   Stars featured in a catalog compiled by American astronomer Frank Elmore Ross (1874-1960).   Working on the staff of the Yerkes Observatory, he devised a catalog of stars that exhibited high proper motions.   Many of these stars, naturally, are quite close, such as Ross 148, Ross 154 and Ross 248.
  • Wolf 359   German astronomer Maximilian Wolf (1863-1932) also published a catalog of stars with high proper motion.    Wolf 359 is one of these stars and the closest one to the Sun.
  • Lalande 21185    One of the stars that still retains the name of French astronomer Jerome Lalande (1732-1807).    These stars appeared in his 1801 catalog  "Histoire Celeste Francaise"
  • Lacaille 8760; Lacaille 9352   Notice the positions of these two stars.  "South"    Nicolas-Louis de Lacaille (1713-1762)  cataloged many stars within the southern hemisphere.   Lacaille 8760 and Lacaille 9352 were two stars featured in the catalog that he compiled; one that was published after his death.     We met Lacaille before when we discussed the constellations: he named fourteen of them.   Lacaille was well known for having observed the southern sky when he worked at the observatory at the Cape of Good Hope in southern most part of Africa. 
  • 61 Cygni   A Flamsteed number.  John Flamsteed (1646-1719) was the first Astronomer Royal.    He developed a system by which stars were numbered by right ascension: angular distance from the vernal equinox point.       (See more below about 61 Cygni in the parallax section.)  
  • Grm 34   Groombridge 34.  Notice the position of this star  "North." Groombridge 34  British astronomer Stephen Groombridge (1755-1832) compiled a catalog of circumpolar stars, those high northern stars that do not set.    Curiously, this catalog was also published after its author died.
  • S2398   Struve  2398 Friedrich Georg Wilhelm von Struve (1793-1864) published a catalog of double stars. (We'll be discussing those in greater detail later in the course)    S2398  the 2,398th entry in this catalog and the closest Struve star to us.  However, it is not the closest multiple system star to us.   
  • UV Ceti    The UV Ceti is a variable star designation.  (We will be discussing variables and their nomenclature in much greater detail, as well.)    
Very few of these stars have proper names because most are not visible to the unaided eye.   The only properly named stars are Sirius, Procyon and Alpha Centauri, properly known as Rigel Kentaurus.      Barnard's star has a proper name, even though it isn't visible to the unaided eye.   The star is named for American astronomer Edward Emerson Barnard (1857-1923) who first measured the star's proper motion.   Barnard's star, incidentally, has the highest proper motion of any star in our sky. (10.3" per year.    More about these motions on Tuesday.)  

PARALLAX

Stellar parallax illustrates how a branch of mathematics as terrestrial as 'geometry,' can be used in the service of celestial science. We'll begin with a famous illustration. Find an object that won't move, such as a tree, stop sign, cooperative spouse or northern New England economy.  Close one eye and extend an index finger out in front of your face. Align the finger with the chosen background object. While keeping the finger steady, close the open eye and open the closed eye. You might notice that the finger's position relative to the background object shifted. If you extend the finger out to its maximum extent and repeat the demonstration,* you'll observe the shift is small. If you hold the index finger just in front of your face and repeat the demonstration, the shift will be quite large.

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Parallax is the apparent shift in an object's position relative to a more distant object resulting from a change in the observer's perspective.

The apparent shift of an observed object's position resulting from a change of perspective is called "parallax." With the previous demonstration, we've established an inverse relationship. The closer the object, the greater the parallax angle.

We can apply the same principle to the stars. Astronomers can measure the position of a star relative to the background stars at one moment and then, in six months - when Earth is as far from its original orbital position as possible - the astronomers measure the star's location again. Provided the star is sufficiently close,** its parallax angle will yield its distance.

Stellar parallax

Without delving into all the delicious details pertaining to right angle trigonometry, we can share a simple equation relating the parallax angle and the distance. If the distance is expressed in parsecs - one parsec equals 3.26 light years - and the parallax angle is expressed in arc-seconds,*** the star's distance is 1 divided by the parallax angle.

For instance, let's say a star's parallax angle is 0.5." Its distance would therefore be 1/0.5" = 2.0 parsecs, or about 6.52 light years.    

In 1838, Friedrich Wilhelm Bessel estimated the distance to the star 61 Cygni based on the observed parallax angle. Though his calculation of 10.3 light years was about ten percent less than the currently accepted value of 11.4 light years, Bessel was the first to successfully employ stellar parallax to measure a star's distance.

The Hipparcos satellite, launched by the European Space Agency in 1997, catalogued about 118,000 stars and their distances. The GAIA probe, launched in 2013, will calculate distances and positions of more than 1 billion stars within our  region of the Milky Way Galaxy.

The parallax method, valid out to about 500 parsecs, is but one of the many celestial distance determination methods astronomers have developed.   As we will discover, they now confidently know distances out to billions of light years.  Throughout the remainder of this course we will be learning many of them.

Before we end today, let's address one immensely important question.  

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How did astronomers know which stars to choose as foreground objects before they knew the distances to any of the stars?

That seems like a perfect example of placing the cart in front of the flying horse.    One would think that they could have chosen the brightest stars under the assumption that the bright ones were the closest.   That assumption, however, is based on the incorrect belief that the stars are of equal brightness. They certainly aren't.  If they were, selecting the foreground stars would have been a trivial matter. Instead, astronomers correctly assumed that the closest stars would exhibit the highest proper motions!   All stars move very rapidly.  However, those closest to us would tend to appear to move more quickly through the sky than more distant stars.    As an analogy, imagine your watching a car speed down the freeway.  If you're standing close to the freeway, the car will appear to move very quickly.   If you're far away from the freeway, the car will seem to move more slowly across your viewfield.   

Just another example of the human ingenuity that has enabled astronomers to discover so much about the Universe without setting foot off this planet.

Quiz tomorrow.

Much more about stars next week.




*We could have referred to this exercise as a 'experiment,' except that it was nothing of the sort. Any exercise that will yield a known result is a demonstration. An exercise that will lead to a result that, though predicted, isn't certain, is an experiment.


**For ground based observations, the range has been about 500 parsecs. (A parsec equals about 3.26 light years.)


***One degree can be equally sub-divided into 60 arc-minutes. One arc-minute can be equally sub-divided into 60 arc-seconds. An arc-second is a particularly small angle. 



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