Listserver, Thanks for this opportunity to share thoughts and discussions with experts in Pound. I hope I've used the correct email address. Although I've been a programmer for 25 years, for some reason, I've always had problems with listservs, and their complexity (at least what I perceive to be complexity!) I know what follows is redundant. I know you've all probably read this series of statements more than several times. As a background, I've read Pound since college, and have always had the same problem. Whenever a member of the previous generation spots the name "Pound", they, more or less, call me a traitor to America. I know about Pound's background, how he sided with Italy and its regime, how he broadcasted political messages, both anti-Semite and anti-Allies, and how he was arrested, tried as insane, apologized and was locked away, where he worked on the last part of the Cantos. The fact that his work won a post-War award must have shocked the world. However, it doesn't shock me. His lines remain brilliant. But, a true artist should be regarded as devoid of his past, as the Revisionists said, right? My mind's heart always stops when I read his powerful lines, dripping in myths, supported by ancient names and languages, bringing English to an airy arena, with literary splendor. His poetry is untouchable, striking, fresh, and always refreshing in its use of tones and words. And, of course, I haven't touched on who he influenced, which is every poet since his time. Can the list advise on the dichotomy between his politics and his poetry? Also, I'm currently trying to locate one book, which contains both the Cantos and annotations to the Cantos. Do you have any suggestions? Thanks, again, for this opportunity to address you. Tom NJ