Funnily enough, there are two plays of mine - one on Pound and the other on Eisenstein... I was not aware of the great commonality between these two when I embarked on these plays, but the more I researched the more I realised they are brothers. Eisenstein's art of montage is the cinema equivalent to Pound ideogrammatic method. Eisenstein so far as I know never read Fenollosa. Pound never read Eisenstein. I also know of no references in Pound's writings to Sir Gay. For those interested in my own exploration of these men's ideas, please see http://eisenstein.cjb.net and http://ezrapound.cjb.net Sincerely Billy Marshall Stoneking