Dear pence-in-pounds, To what extent do you think Pound has been overlooked by critics. Their interest in Pound's contemporaries, Joyce and T.S. Eliot, has definitely exceeded their interest in him. And to think that of these three, Pound's the one who discovered the most life (The Cantos pulse with it) and sang it loud. However technically skillful, the other two croaked. Could some of the critics have been prejudiced due to Pound's Fascist sympathies? On another note, Enquiry: is there anybody of you at York University, Toronto. If so, please write to me... -Ahsan