Dearest Ms. E. Evans:

Into my country and across dominican-american community, within lecturers
from my poetry generation (1980's) Pound it's a very important author, very
respected, quoted and analized.
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Ezra Pound's poetry and aesthetics: into Ibero America and Caribbean
cultures
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We're going to translate and promote your international event about E.
Pound, within Alojo! (www.alojo.com)a virtual Cultural Center, about
solidarity,humanities and social sciences for Caribbean, Latin American and
Spain, artists, researchers and consulting sectors within civil society or
Non Government Organizations/non profit institutions.

I think that's the most interesting subject under discussion, in all those 3
years,I get as member from this community:
Pound-poetry-power-censorship-ways of protests-banned texts.

If you try to understand those subjects, take by example references books,
on line or into American data base: ask for Pound, today. ANSWER:"he's a
nuts,patient,an antiamerican, non loyal, support Mussolini, and bla, bla,
bla"...and after all this information, oriented to blackade freely
interaction with his  text, as Encarta Enc., and too many others virtual
data bases...start to explain his poetry...

In other hand, as institution and as authors we're very interested in
feedback about:


"[...]XXth International Ezra Pound Conference on EP and American Identity
(2-6 July 2003). Our hope is that a number of panel proposals for that
latter conference may develop in the course of our discussion this fall.

The MSA4 seminar description is as follows:

>What does an American poet owe America? This seminar addresses the ways in
which modern American poets chose to represent their homeland, its
citizens, and themselves from the metropolitan centers of Europe during and
between the two world wars. In addition to studies of individual poets, we
will also pay special attention to collaborative efforts between poets and
other artists and intellectuals, such as those found in avant-garde
groupings, salon affiliations, and publishing coteries. Relevant themes
include--but are not limited to--the role of poetic language in the
political, poetry's forms of praise and protest, issues of censorship and
circulation, expatriates' access to domestic audiences, and the various
ways in which loyalty and treason were defined during the period[...]".



Greetings, from a sunny, and relaxing Caribbean corner,


Yoe F. Santos
CEO
Cultural Center 4 Audio Visual Exchange, Non Profit Org
Dominican Republic
West Indies
(www.alojo.com/yoe)
-----
Vice-President
Corporative Relations by
Multicultural Virtual Space Alojo!
www.alojo.com
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Feedback/ Data Base:
SANTOS GRACIANO, Yoe F. Born La Vega, Dominican Republic (1962).
Speaker,essayist,poet and editor, who alternate cultural promotion, social
research and management consulting, across Dominican Republic (1976-2002).

Since 1996 he's working issues linked with socio-cultural impact from
internet, within creative process, learning by doing,for non industrialized
societies, particularly: Caribbeans and Latin Americans.

Santos who was (or still is) a very rebel, iconoclastic and acid criticism
author, likes to define himself as: "one citizen from underground country,
the sensitive and spiritual nation,4 solidarity, across the WWW".

Some of his creative and reflexive works had been edited or used as tool for
debates- poetry,essays or articles about education,new technologies, social
sciences or humanities- into Mexico,Dominican Republic, Argentina,Brasil,
Australia, Puerto Rico, USA,Neederland Antilles Islands or Spain,
essentially.

Since 1998, and trying to understand better the internet, is a MISTICA
Community member (www.funredes.org/mistica).

Member International Ass.  Journalists of Internet(API)since,2000.

“TIC’s, TAZ, TOC...ralenti. Sabor de Tambores y
cotidianidad” (essay) (2001) (www.alojo.com/essay/tics/creatividad/
ongs/yoe.santos/alc1.shtml). Currently, preparing an autobigraphic
work,about vocational elections  “Vivir: servir y sobrevivir en el
siglo XXI (1996-2002)”.

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"El maestro del porvenir tendrá a su cargo la tarea más grave de la
sociedad, enseñar con el ejemplo: enseñar a aprender, aprendiendo; enseñar a
hacer,haciendo; enseñar a amar, amando... Educar debe ser un arte agradable"

Jose Ingenieros(1902)
------
"Reclamo plenamente mi derecho a participar de las contradicciones de mi
tiempo...ningún poder, un poco prudente de saber y el máximo posible de
sabor"
Roland Barthes (1968)
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"Necesitamos libros que hagan en nosotros el efecto de una desgracia, que
nos duelan[...] como un suicidio, un libro tiene que ser el hacha para el
mar helado que llevamos dentro".
Franz Kafka----------
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Cultural Center 4 Audio-Visual Exchange (CCAVE) is a non profit, non
religious, non militant,non commercial organization, created in Dominican
Republic, after july 8th,1984, oriented to make possible, within
audio-visual, cultural, and social fields: diversity, friendship,
solidarity, criticism, and creative process as complementary support for
selfgovernment and development, as plural societies in Caribbean, Latin
America and Third World.
Talent, Criticism & Friendship!!
Talento, Criticidad, Amistad!!

_________________________________________________________________
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