Re: Richard Edwards recent suggestion:

Leads on Pound/Barry are found here, though not
pertaining to Pound helping Barry select titles:

http://www.lis.uiuc.edu/review/winter1997/henson.html

See paragraphs 9-12.


--- Richard Edwards <[log in to unmask]> wrote:
> On 26 August 1999 Louis Silverstein informed the
> list:
>
> "And later--much later--his nurturing of Iris Barry
> who, when she became
> curator of the film collection at MOMA, turned to
> him for help in selecting
> titles for building a library for the collection."
>
> If the source of this titbit can be tracked down, it
> may yield up some
> information of the kind you are looking for.
> Richard Edwards
>
> >From: Burt Hatlen <[log in to unmask]>
> >Reply-To: - Ezra Pound discussion list of the
> University of Maine
> >    <[log in to unmask]>
> >To: [log in to unmask]
> >Subject: Pound and Movies
> >Date: Thu, 25 Mar 2004 11:29:12 -0500
> >
> >Pounders,
> >
> >I've been thinking about the parallels between
> Pound's poetics and the film
> >aesthetic of the 1920s, and I'm looking for
> information on what movies
> >Pound may have seen during this period and what he
> might have thought/said
> >about them. I'm also
> >looking for critical commentary on the relationship
> between Pound's poetic
> >methods and film technique. Kenner in The Pound Era
> and Max Nanny in his
> >book on Pound and the electronic age mention that
> in developing his concept
> >of "montage" Eisenstein
> >points to the Chinese ideogram as a model, and the
> analogy with Pound's
> >poetic method is obvious; but neither Kenner nor
> Nanny explores the
> >relationship between Pound's poetic methods and
> actual films of the time.
> >Any tips would be much appreciated.
> >
> >Burt Hstlen
>
>
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