We've seen Pasolini's film. Joe Brennan's interpretation of the scene
with Pound's Canto as backdrop captures the ambivalence toward art (and
Pound) that Pasolini intended that part of the film to communicate. Even
a cursory reading of Pasolini's letters yields this statement to Luciano
Serra:
 
"I wanted to invent for myself a dualism to set against the idealistic
monism and intuition of Croce.  I am immature - but the fact of ethical
research as something that transcends aesthetic research is a theme that
recurs often in my meditations."
 
--Carlo Parcelli
  & Rosalie Gancie