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Ezra Pound discussion list of the University of Maine <[log in to unmask]>
Subject:
Re: Pound in Latin America
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Georg Patzer <[log in to unmask]>
Date:
Sat, 25 Jul 1998 22:17:58 +0200
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Ezra Pound discussion list of the University of Maine <[log in to unmask]>
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Sorry for all non-german speaking Pounders in this list, but I am going to quote
part of an article I once found in the www. It is written by Prof. Reinhard
Doehl in Stuttgart, you can find it in the web. Shortly said, it deals with the
brazilian concrete poet Haroldo de Campos who came to Ulm and Stuttgart,
Germany, and the Noigandres group who learned a lot by Pound.  Prof. Doehl says,
that L.C. Vinholes translated the essay "the chinese character" by Ernest
Fenellosa. The title of his essay is: "Stuttgart - Tokio und zur|ck".
Dear Anne-Mirjam Maczewski, you can ask Prof. Doehl directly, his e-mail address
is: [log in to unmask]
He once was very helpful for me as I did some research about Rainer M. Gerhardt
and Kitasono Katue. I am sure, he will help you to if he can.
 
>\ber Haroldo de Campos, der Ende der 50er Jahre Ulm und 1964 zum erstenmal
Stuttgart besuchte, |ber die Noigandres-Gruppe und ihre Beziehungen zu Stuttgart
hat Elisabeth Walther an anderer Stelle vervffentlicht [ The Relations of
Haroldo de Campos to German Concretist Poets in Particular to Max Bense". In: K.
David Jackson, Eric Vos, Johanna Drucker [Hrsg.]: Experimental Visual Concrete
Avant-garde Poetry since the 1960s. Amsterdam, Atlanta, Ga: Rodopi 1996, S.
353-366], das mu_ nicht wiederholt werden. Eine Kleinigkeit jedoch mvchte ich
ergdnzen, die zu meinem Thema gehvrt. Haroldo de Campos verdanke zumindestens
ich die Kenntnis eines wichtigen Essays: Ernest Fenelosa's  Das chinesische
Schriftzeichen als poetisches Medium". Dieser Essay war 1920 von Ezra Pound
herausgegeben worden und fast in Vergessenheit geraten, bis L.C. Vinholes ihn
den Brasilianern bekannt machte und er auf diesem Wege in die internationale
Diskussion um die konkrete Poesie eingef|hrt wurde. Ein Essay, hier so wichtig
wie Worringers  Abstraktion und Einf|hlung" f|r die Entwicklung der modernen
Malerei.<
 
 
 
Anne-Mirjam.Maczewski schrieb:
Dear EPounders,
I am currently attempting to assess the dimension and shape of Pound's
reception by Latin American poets. As yet, I've drawn an almost complete
blank in secondary literature. If any of you happen to know of instances
of Latin American reception of Pound, I'd be grateful to you if you could
pass them on. Thank you very much in advance!
 
Anne-Mirjam Maczewski
University of Goettingen/Germany
[log in to unmask]@math.uni-goettingen.de

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