I think I remember coming accross it in T.S. Eliot's edition of Pound's
Essays, but I'm not certain where.
 
Arwin
 
Drop these careful lines; words are such a drag
Expose the naked idea and let my mind bathe
In its bright image
----- Original Message -----
From: Robert Kibler <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, June 29, 1999 9:40 PM
Subject: Re: Searching for a reference
 
 
its a derivation of Pound's assertion that you can tell the character of a
culture by how thick the lines are in their paintings. This comes up a
couple of times in his various prose works. I know this does not help you,
but overall, it might be important for you to know that Ernest Fenollosa
makes the same assertion in his "Epochs of Chinese and Japanese Art."  He
made it before Pound did, and was probably Pound's source for the idea.  I
will look it up for you in "Epochs" if you have a need, and no "Epochs"
handy.
 
>>> "Steven G. Yao" <[log in to unmask]> 06/29 1:45 PM >>>
Fellow Poundians,
 
I am looking for the documentation for a quotation by EP that I am using in
a paper.  I recall that, somewhere, quoted admiringly the old Confucian
saw, "A man's character is known from his brushstrokes."  I've checked EP's
version of the Analects, and its not there. Perhaps GK?  Any help out there?
 
Steve Yao
 
Assistant Professor
Dept. of English
The Ohio State University
164 W. Seventeenth Ave
Columbus, OH  43210
614 292-6713
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