I presume that your last sentence was written tongue in cheek.
Cheers,
Tim Redman
-----Original Message-----
From: - Ezra Pound discussion list of the University of Maine
[mailto:[log in to unmask]]On Behalf Of Daniel Pearlman
Sent: Tuesday, July 29, 2003 3:26 PM
To: [log in to unmask]
Subject: Re: NY Times on Pound's music/Sun. 7-27-03
I wonder if the publisher of the CD could be persuaded to
put some samples online. As to the review, whether the
assessment of the music's quality is fair or not, I'm not
one to judge--but at least no preconceived attitude toward
Pound the person or poet seemed to creep into the article
and skew its tone.
==Dan P
At 11:26 AM 7/29/2003 -0700, you wrote:
>Did anyone have an opinion or comment about the review by Richard
>Taruskin in the Sunday NY Times on the Music of Pound CD from Other
>Minds?
>
>Charles Amirkhanian
>
>_________
>
>
>Ezra Pound, Musical Crackpot
>
>July 27, 2003
>
>By RICHARD TARUSKIN
>
>
>According to an old and highly unreliable story, Pablo
>Picasso gave a few poems he had written to Gertrude Stein
>for comment. In the middle of the night, he was roused
>violently from sleep. It was Miss Stein, shaking him
>furiously and shouting: "Pablo! Pablo! Get up and paint!"
>
>There are times when - listening to "Ego Scriptor
>Cantilenae: The Music of Ezra Pound," a comprehensive
>sampling of the poet's little-known musical output - one
>wants to shout: "Pound! Pound! Write a poem!" More often,
>though, one listens quite fascinated. Much of it is
>strangely compelling, if eccentric, stuff.
>
>The career of no other artist, perhaps, so nakedly exposes
>the fineness of the line dividing crackpot from genius.
>Pound's crackpot theories of social, racial and economic
>justice famously landed him in a mental hospital (the only
>alternative to prison) after World War II. He loved playing
>the fool, describing his aesthetic theories, the authentic
>fruit of his genius, in a semiliterate patois familiar to
>anyone who has read his letters or scanned the titles of
>his essays (gathered, for example, in a volume called
>"Guide to Kulchur"). And those theories drove him to
>compose music despite a confessed inability - vouched for
>by his fellow poets William Carlos Williams and W. B.
>Yeats, among others - to carry a tune.
>
>etc.
>http://www.nytimes.com/2003/07/27/arts/music/27TARU.html?ex=1060433524&ei=1
&en=9437ab8c98d2acfd
>for entire article
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