Re Eisenstein/Pound & the Ideogram:
Fleming, Bruce E.
"The Ideogram in Pound and Eisenstein: Sketch for a
Theory of Modernism." (Ezra Pound; Sergey Mikhaylovich
Eisenstein) Southwest Review v74, n1 (Wntr, 1989):87
--- Burt Hatlen <[log in to unmask]> wrote:
> Pounders,
>
> I've been thinking about the parallels between
> Pound's poetics and the film aesthetic of the 1920s,
> and I'm looking for information on what movies Pound
> may have seen during this period and what he might
> have thought/said about them. I'm also
> looking for critical commentary on the relationship
> between Pound's poetic methods and film technique.
> Kenner in The Pound Era and Max Nanny in his book on
> Pound and the electronic age mention that in
> developing his concept of "montage" Eisenstein
> points to the Chinese ideogram as a model, and the
> analogy with Pound's poetic method is obvious; but
> neither Kenner nor Nanny explores the relationship
> between Pound's poetic methods and actual films of
> the time. Any tips would be much appreciated.
>
> Burt Hstlen
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